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    Along the arc of Dalt’s music, beyond what steers her so allusively away from self-repetition, there is an undefinable forward inertia. What can explain, for instance, the near absence of her voice? Is it personal interest, renunciation, an embrace? Is she driven by a backdrop of conceptualism, or is this a lyrical wandering?

    What we know, for starters, is that she made this album immersed in a cinema of her own, curatorial creation. Its filmic quality is a direct consequence of her turning her studio into a screening room for classic works of New German Cinema, pulling influence from directors such as Helke Sander and Werner Schroeter. As she works, she absorbs, and Ou results from a conscious staging of this process. The impact can be felt both at the levels of surface and structure. While the sound quality reflects these evocative, multi-layered scenarios, the larger departure from any of her previous works is the album’s spatial, mix-like composition, with each track being made up of several companion titles.

    Side A /

    a Meontic Voice
    b Taquión

    a Roto
    b Quebrado
    c Suelto

    Side B /

    a Diamagnet
    b - Cae
    c Cathexis


    concept / recording / mix: Lucrecia Dalt
    Berlin, 2014-2015

    mastered by: Rashad Becker

    cathexis - saxophone: Danny Meyer
    cathexis - clarinet: Max Bach

    Includes unlimited streaming of Ou via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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released December 8, 2015


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Lucrecia Dalt Berlin, Germany


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