Ou, by Lucrecia Dalt

Ou

by Lucrecia Dalt

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Deni Double So cinematic…another unique work from Lucrecia…stunning. Favorite track: ELEANORE.

Alexander Kasbohm A very inspiring album that seems to be stretchung out its feelers, touching, tasting and evaluating everything in its reach. It has a sort of serious playfulness. Very alluring.

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	1.	OVER UNITY 06:24
	2.	IOT 09:17
	3.	FLOTO 04:34
	4.	ELEANORE 07:45

about

Originally released on vinyl by Care Of Editions, Now Sold Out.

Along the arc of Dalt’s music, beyond what steers her so allusively away from self-repetition, there is an undefinable forward inertia. What can explain, for instance, the near absence of her voice? Is it personal interest, renunciation, an embrace? Is she driven by a backdrop of conceptualism, or is this a lyrical wandering?

What we know, for starters, is that she made this album immersed in a cinema of her own, curatorial creation. Its filmic quality is a direct consequence of her turning her studio into a screening room for classic works of New German Cinema, pulling influence from directors such as Helke Sander and Werner Schroeter. As she works, she absorbs, and Ou results from a conscious staging of this process. The impact can be felt both at the levels of surface and structure. While the sound quality reflects these evocative, multi-layered scenarios, the larger departure from any of her previous works is the album’s spatial, mix-like composition, with each track being made up of several companion titles.

Side A /

OVER UNITY
a Meontic Voice
b Taquión

IOT
a Roto
b Quebrado
c Suelto

Side B /

FLOTO
a Diamagnet
b - Cae
c Cathexis

ELEANORE

concept / recording / mix: Lucrecia Dalt
Berlin, 2014-2015

mastered by: Rashad Becker

cathexis - saxophone: Danny Meyer
cathexis - clarinet: Max Bach

credits

released December 8, 2015

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Lucrecia Dalt Berlin, Germany

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